一分钟儿童简短故事

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23 年前

视频简介

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。在“大象的证词”案中,侦探小说作家奥利弗太太想了解教女数十年前的家庭惨案,在波洛的指点下,她慢慢拼凑真相。在“四魔头”案中,波洛开场即死,一群旧友纷纷从退休生活中抽出身来,参加波洛的葬礼。在“死人的殿堂”案中,奥利弗老太太受邀前往德文郡的小农庄,为游园会设计一出寻宝侦探游戏。老太太敏锐地直觉发觉事情不大对劲,命案发生。她求助波洛,通过后者的推理,成功侦破了这一系列陈年旧案。在“赫尔克里的丰功伟绩”案中,恶贯满盈的杀人大魔王马拉舍在波洛眼皮子底下作案,神经高度紧张的波洛和大批戒备森严的警察连犯罪分子的脸都没见到。若干年后,波洛用一系列精妙的推理,在与世隔绝的雪山之巅,连续破案,一举拿下了当年劲敌。在“帷幕”案中,二十多年过去了,波洛尽显老态。他放心不下一个杀人魔王,一路追踪到民宿,孤注一掷地想要将对方拿下。波洛用这样一个案件给自己一生画上完美句号。。

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